Question:
How did MP3 format come into life?
voyager747ft
2006-03-17 22:13:51 UTC
Where did it come from?How did they find it?Who was the first to creat it?
Four answers:
Spock
2006-03-17 22:15:34 UTC
Development

MPEG-1 Audio Layer 2 encoding began as the Digital Audio Broadcast (DAB) project managed by Egon Meier-Engelen of the Deutsche Forschungs- und Versuchsanstalt für Luft- und Raumfahrt (later on called Deutsches Zentrum für Luft- und Raumfahrt, German Aerospace Center) in Germany. This project was financed by the European Union as a part of the EUREKA research program where it was commonly known as EU-147. EU-147 ran from 1987 to 1994.



In 1991, there were two proposals available: Musicam (known as Layer 2), and ASPEC (Adaptive Spectral Perceptual Entropy Coding). The Musicam technique, as proposed by Philips (The Netherlands), CCETT (France) and Institut für Rundfunktechnik (Germany) was chosen due to its simplicity and error robustness, as well as its low computational power associated to the encoding of high quality compressed audio. The Musicam format, based on sub-band coding, was a key to settle the basis of the MPEG Audio compression format (sampling rates, structure of frames, headers, number of samples per frame). Its technology and ideas were fully incorporated into the definition of ISO MPEG Audio Layer I and Layer II and further on of the Layer III (MP3) format. Under the chairmanship of Professor Mussmann (University of Hannover) the editing of the standard was made under the responsibilities of Leon van de Kerkhof (Layer I) and Gerhard Stoll (Layer II).



Further, on a working group consisting of J.D. Johnston (US), Gerhard Stoll (Germany), Yves-François Dehery (France), Karlheinz Brandenburg (Germany) took ideas from Musicam and ASPEC, added some of their own ideas and created MP3, which was designed to achieve the same quality at 128 kbit/s as MP2 at 192 kbit/s.



All algorithms were finalized in 1992 as part of MPEG-1, the first standard suite by MPEG, which resulted in the international standard ISO/IEC 11172-3, published in 1993. Further work on MPEG audio was finalized in 1994 as part of the second suite of MPEG standards, MPEG-2, more formally known as international standard ISO/IEC 13818-3, originally published in 1995.



Compression efficiency of encoders is typically defined by the bit rate because compression rate depends on the bit depth and sampling rate of the input signal. Nevertheless, there are often published compression rates that use the CD parameters as references (44.1 kHz, 2 channels at 16 bits per channel or 2x16 bit). Sometimes the Digital Audio Tape (DAT) SP parameters are used (48 kHz, 2x16 bit). Compression ratios with this reference are higher, which demonstrates the problem of the term compression ratio for lossy encoders.



Karlheinz Brandenburg used a CD recording of Suzanne Vega's song Tom's Diner to assess the MP3 compression algorithm. This song was chosen because of its softness and simplicity, making it easier to hear imperfections in the compression format during playbacks. Some more serious and critical audio excerpts (glockenspiel, triangle, accordion, ...) were taken from the EBU V3/SQAM reference compact disc and have been used by professional sound engineers to assess the subjective quality of the MPEG Audio formats.
sanket_sirotiya
2006-03-17 22:16:46 UTC
The German company Fraunhofer-Gesellshaft developed MP3 technology and now licenses the patent rights to the audio compression technology - United States Patent 5,579,430 for a "digital encoding process". The inventors named on the MP3 patent are Bernhard Grill, Karl-Heinz Brandenburg, Thomas Sporer, Bernd Kurten, and Ernst Eberlein.

In 1987, the prestigious Fraunhofer Institut Integrierte Schaltungen research center (part of Fraunhofer Gesellschaft) began researching high quality, low bit-rate audio coding, a project named EUREKA project EU147, Digital Audio Broadcasting (DAB).





Two names are mentioned most frequently in connection with the development of MP3. The Fraunhofer Institut was helped with their audio coding by Dieter Seitzer, a professor at the University of Erlangen. Dieter Seitzer had been working on the quality transfer of music over a standard phone line. The Fraunhofer research was led by Karlheinz Brandenburg often called the "father of MP3". Karlheinz Brandenburg was a specialist in mathematics and electronics and had been researching methods of compressing music since 1977. In an interview with Intel, Karlheinz Brandenburg described how MP3 took several years to fully develop and almost failed. Brandenburg stated "In 1991, the project almost died. During modification tests, the encoding simply did not want to work properly. Two days before submission of the first version of the MP3 codec, we found the compiler error."
Jinesh Tirur
2006-03-17 22:34:04 UTC
Earlier music where stored as huge files and carried in CDs.

When the Internet spread, people started looking for small file size file format for music. So that they can send via e-mail or easly download from web.

That gave this popularity to MP3, eventhough the clarity is less than older formats.
?
2016-12-18 15:01:43 UTC
as quickly as you connect the mp3 participant on your cpu by technique of the usb port, flow to my workstation and spot if any new drives pop up (that's ordinary to work out detachable disk force or something of that nature indexed now). you are going to be waiting to open that force and place your songs in there. Works the comparable way as quickly as you place songs/documents on and then hook up with a different cpu. You did not say what form of mp3 you have so this might selection sliiiiightly yet many times conversing will paintings. wish this facilitates


This content was originally posted on Y! Answers, a Q&A website that shut down in 2021.
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